Archive for the 'Poetry' Category

April 27, 2010

To the Men Asleep Under the Dogwood, 1958

They do not rest, peaceful as fallen petals
backs pressed against hillocks of new grass
overcoats smelling of lawn onions, hooch,
the quarter for a bath they did not have.
They do not speak companionably, men
on an outing, chums, passing their stories.
They close their eyes against the limbs, the sky,
the landlady – her key, her lock, her rules.
She’s a minotaur tugging the curtain
with her hoof, her nightgown ripped by her horns.

Limbs catch on the insides of their eyelids;
the cross-hatch becomes the river Elbe
on a mortarman’s much-folded field map;
or slim brown legs tangled in sheets, not his;
or the cracks in the mirror’s silvering
as it hung above the bar where time ran out.

The men rise up from the earth, now specters
from tales told by my elderly neighbor.
Their failures cling to me like the fallen
petals I’ll find buried in my knotted hair
when I wake in the early morning hours,
asleep in my nightgown, feet bare, chilled,
the house key against my palm, my failures
forming shapes in the tangled weave of limbs.

January 11, 2010

Poetry – The Night We Danced Sequence, II

2. Evensong

La Rosita cranks up for the after-game rush –
the heavy smell of corn oil hanging over the parking lot
drifting toward campus, slick tendrils sliding
toward the bleachers. Masa coalesces
into the hands, slippery and smooth, of three sisters in the back
who slap the balls like new babies
into the churning tortilla press. Their father handles the long wooden spoon,
leans his face into the heat of the chile verde,
testing with his nose for cumin, green chiles, garlic.
Their ears perk for the roar of the crowd’s choral
lamentation or exultation depending on the score.
This is their science: put the carne asada on the grill when the marching band
thunders into the first mournful notes of the alma mater.

We agreed to meet after the game – sit with other faculty –
bump our fingers into one another reaching for the cilantro.
Maybe the garnishes in the Styrofoam bowl – sour cream, juicy tomatoes,
jalapeño slices, translucent onions
make me reject the safest choices,
see in your eyes a brightness, a delight, a delirium.

Eating cilantro for the first time is an act of faith.
The small chopped leaves so like clover, the long, long stems
still with the smell of damp earth – these things should taste like the lawn,
should be grassy, sharp, bitter, but instead they infuse
spicy foods with the mellowness of morning sun on soggy fields.

And the air, as it often does with these things,
sucks itself up and away in the crush of teenage bodies
and the hum of victory dances,
when you take my elbow and steer me out into the busy night
and toward the empty campus, to the low white plaster buildings
done in the smooth, old, Spanish style, falling
against the wall under the shadow of the eucalyptus,
and into your hands, slippery and smooth,
“Come Inside. Come Inside.” you whisper.
And I reshape myself to your palms.

Notes on Evensong Evensong is an Anglican tradition dating back to the 1500’s. Evensong is the choral service sung at vespers. In this poem the singing of the crowd triggers the events of the poem.

October 10, 2009

Poetry – The Night We Danced Sequence

I. The Night We Danced at the Promenade

In the blue-walled ballroom of the Hotel Don Leon
the boot-black sky served in slices at the open doors
and citrus blossoms hanging thick as seed pearls
on the specimen trees espaliered on the courtyard walls
like men before a firing squad,
we were not yet lovers.

Forehead to cheek, we kept the distance demanded of our charges.
Fevered teenage eyes watching us, suspicious of our dancing grace,
their own gyrations rumbling the parquet loose from its glue,
shaking the chandelier in the ballroom below, raining
small bits of plaster onto wedding plates.

This is the only acceptable public embrace
we’ve jotted into our conduct codes
as our longing unfurls among the crepe-paper roses
and silver-sprayed ivy.

The dance ends and our bodies part, hands lingering.
Out on the balcony the pierced-tin sky tilts and spins like a shuttlecock.
The dry air browns the orchids in my corsage
as the petals drape their arms around the curled ribbon.

Notes: This is the first in a series of poems done as a cycle. I’ll put them up over the next few days. The cycle has six poems in it – each playing with a poetric tradition of praise and longing, whether in form or in device used. The arc of the cycle is from the inception of an affair through to the distant future. The device in use is sound – lots of “o” and “a” and other sounds that make for a sigh. Prom is something most everyone remembers – fondly or not – but it’s not just the teenagers who get taken with Prom. Most teachers are required to chaperone at least one dance per year and in my time as a teacher I learned that the faculty is every bit as much under the sway of hormones as the students are. High school is a stew of longing. I’ve been working on this cycle for years and haven’t really ever done much with it. Why tonight? Because it’s been a horrible day – probably the worst in a series of bad days, and what the hell – why not.